Film: drops.walks

drops.walks is my first attempt at serious film making. it’s a short meditation on sexual chimerism and waning consent. or maybe it was just an excuse to make out with a lot of people in one day.

drops.walks was created for the tubs film challenge, an event sponsored by the northwest film forum of seattle, washington. Constructed with the creative assistance of sara murat and steven miller acting as camera people, cinematographers and providing onsite documentation. a lot of photographs were taken and a few have been used here and there in my work. check out the post ‘the end of all flesh‘ to see a few.

my good friend jessie smith of dead bird movement edited the film while i slept on a nearby sofa and robb kunz, also known as inphase prod/audible semaphore group, and i collaborated on the soundtrack.

at present i’m working on more films. i have this idea that i’d like to have 5 to a dozen short flicks produced by the end of 2009. none of them will be more than 5 or so minutes long. each will will be inhabited by a single theme or motif. dialogue free and purely expressions of art. well, they’ll be art in so much as they can’t be called anything else…

Fiction: THE END OF ALL FLESH

{photography: steven miller}

“flesh eating bitch,” he mumbled to himself.

“what the fuck? what the fuck did you say you ravenous piece-a-shit?” she yelled back at him, striking his woolly head as she did so.

“nothing, honey, i’m just talking to the baby…” his head was in her lap, lips kissing at her navel through the velour and random dog hairs that constituted her sweater, “i’m just asking it what kinda name it wants.”

“goddammit, you motherfucker. get out of there. i told you: there is no baby. there will be no baby. and if there was a baby it wouldn’t be your baby. i am in love with somebody and she left her sperm bag at home, too!”

hall shot 3

 

the bitterness in her tone tasted like menstrual blood in his mouth. he was thinking now, quicker than normal, which is how it always was when they fought. his mind would explode in ways that speed, acid and x could never have pushed it. not even one of those cocaine suppositories he occasionally enjoyed could get him so activated as a good fight with the woman biggie smalls had taught him to refer to affectionately as ‘my bitch.’ but only when she wasn’t listening, of course.

 

she was sweet, smart, and beautiful in a canned corn kind of way. a little backwoods girl from a meth-trailer free trade zone, the backbone economy of america’s working poor. she was willful, well educated, tight and a freak. what else could he have asked for from god except that maybe she hadn’t turned out to be gay?

hall shot

 

“what the fuck?” she yelled again and this time she threw his lazy, indigenous sperm-bag on the carpet and out of her lap. “you honestly think you can still say shit like that to me? where the fuck are you? i left, man, and i am not coming back. i left you, this town and shit; i don’t even talk to men anymore except for you, bus drivers, and my parole officer, that little bitch.”

 

he laughed at her joke; he was always amazed at the level of awareness she could maintain even in the most hectic, hellish, and high situations. no matter what, she could argue, insult, insinuate, lie, mind read, and seduce total strangers behind his back all at the same time.

 

sometimes he wished he could have gotten her to carry a gun. not because he was too freaked out by them himself (he was), but because he would have loved to have deep throated the barrel the next time she threatened to kill him.

 

the television was broadcasting some shit in the background about the terrorists having possibly used alien technology to stop all air traffic for the last few days, but he could barely make it out so intense was the sensation burning from the depths of his asshole to his nostrils with the stink of his own internal bodily processes and the abundance of lube still dribbling down his thighs.

 

“this is it, man; i am never doing this again,”she said quietly.

“bitch prolly crying,” he emoted on some deep level maybe right around his prostate gland. he was dreaming it now as nelson mandela and many girls from his highschool drug dealing phase licked his delicate, native-flavored weenie.

 

and she probably was crying, but it was also hot in the room with the tv on, him shaking and groaning, all these ghosts watching and her arm shoved further up his relaxed-as-only-a-negro-can-relax rectum. thanks to her anatomy classes she knew she couldn’t reach on through and crush his testicles, those vibrant factories of testosterone production, with a fuck-capitalism-and-screw-the-reds-too-post-literate-feminist grasp and once again she cursed her education and the institutions her parents had believed in that allowed her to even be able to string such concepts together in the skip rope chambers of her backlot mind while fisting her whatever-the-fuck-he-is-now at the same time.

hall shot 2

 

art idea # 3: ‘whitebodycurtain’ (or silently yellow, too)

you will need:

1. a film or video to display

2. a projector

3. a lot of naked people.

paint your naked people white or yellow.

have them lined up as closely as possible. train them for various movements if you like as long as they stay close. if your projection is long you will want enough naked people to rotate them out in rounds, as in, one person leaves as another person joins. this could go on indefinitely.

project the film or video on their bodies.

this is an installation.

Terrible Thieving Thieves, the update

it’s really hard to write any more about this. the theft has been traumatic. i actually started crying the other night. and i get panicked if i’m in the art space for too long, convinced that the thieves are back, running amuck, while i’m there. it’s absolutely horrible at times.

i’ve been talking to everyone about it. and all my friends, you, have been so very supportive. and i couldn’t ask for better friends. thank you.

the only advice i’ve been getting is to move on and how to do so. and i am taking that advice. i’ve made the move to do something i’ve been wanting to do for a long time and that is making my first film. i mentioned that before, i know, but i’ve actually set a date for shooting. july 27th. it’s the most exciting and frightening thing i’ve done in a long time. even more than chasing down that lovely woman in korea last year for a two month date to europe and africa. well, maybe not that scary…

last year i decided that i wanted to make the move to photography. and secretly i had decided i also wanted to get into film making. photography was no problem, but stepping into motion pictures? that was tough. no equipment. no training. no connections. how to start?

luckily it just fell into my lap. like so many other wonderful things and opportunities. dk pan just looked at me one day and said, “why don’t you make a movie? you can use my camera.” jesus, dk, are you ever going to stop accidentally upgrading my life? thank you!

so i’m working on it. and it’ll debut in august. i’ll let everyone know the details of the showing and you can all watch me whimper and freak out in public. and if you have any comments i will be open to them. scared, but open.

turn it on.

since i’ve been through so much in the last week i have barely been taking pictures. it’s just too depressing. my biggest decision has been whether to get a new laptop or buy a smart, new camera. at this time i’m thinking of a camera; the canon rebel series comes highly recommended. and now that i doing a worktrade with the photo center northwest it seems like a great idea.

maybe the transition into a new field of operation for me, from dancer/musician/performer, will actually occur. i hope so. i’d like to think that all this work in other fields will translate. that my work in the other genres will be beneficial to my new eye. and i have ideas. just wait. you’ll see. and hopefully i’ll continue to keep you amused so you’ll keep inviting me to dinner and drinks. thanks for the dinner and drinks!

some old shots to keep you entertained. enjoy:

a crumbling building in cheunchon, south korea

a crumbling building in cheunchon, south korea
working on an old dance theater piece with anna b as the mummy
working on an old dance theater piece with anna b as the mummy
a mobile sound device in japan
a mobile sound device in japan