tidings

stumbled across this photo recently.

at-smokefarm.jpg

it’s from the smoke farm show that the implied violence kids were kind enough to have me in.
looks a real winning kind of guy up there on the old green, no?

this is just a distraction from what’s posted below.
seems like a good idea to keep a low profile on the normal madness that i litter this thing with now that grant gifting orgs may well be climbing all over me soon. i’m not going to take anything down; i’m not ashamed of my work. it’s too far into the game for artists to be distracted by petty notions like shame and embarrassment.

if you’re going to do it you might as well enjoy it and be proud.
it’s not as if we can take anything back.
and why would anyone want to.

if anything the persecutor should learn to forgive, embrace and relax.
it’s probably of the finest causes for the rampaging amount of boredom that swathes this city.
hell, i just spent my friday night curled up with a good history book reading about how jesus was probably a mystery school initiate and john the baptist was the true hero of the gospels. modern day gnostics. i love ’em.

yesterday, in lieu of sleeping, i practiced my patanajali exercises. you know the ones. you start off listening to your heartbeat, but inside your chest cavity with with a practiced ear. slowly you allow your senses to expand and take in the sound of blood moving through veins and lungs rising and collapsing. eventually, you’re at the threshold of the skin listening to static magnetic hairs sway. then you do the big thing and move out. listen further and further from the body. probably the most fun meditation for a musician out there.

yeah, i skipped a friday to hang out with jesus. but then it did seem like the appropriate thing to do. it was leap day remember? and everyone was trying to come up with cool things to do as commemorative genuflection. at the bank of america where i gathered some pennies from the vault, the very cute teller explained to me that all the ladies there were wearing ties and matching blue sweaters. not my idea of a lot of fun, but who am i to argue with a lack of progress? i wanted them to just give away free money, of course. i asked, too. you never know. it’s the end of the 4 year span; anything can happen. as it was i left a little richer, but only because i’d earned it. where’s that free lunch i ordered a while back?

but what is a person supposed to do? my friends josh and ginger looked at the last thing i slipped in here, ‘sense of being,‘ and proclaimed it boring, beneath me, and chided me further by proclaiming the entire concept of blogs “retarded.” that is a fine and admirable take form a couple of very smart hipsters out in brooklyn. and i listened to them, too. not that i paid any attention. i love the post; i want to do more just like it. and it is hard to take criticism on the deployment of mass media from a guy who used to do pirate radio. god josh, how seventies. how off the london shore. how Voice Of America.

someone else accused me of rampant narcissism. wow. i wasn’t sure what to make of that. i’m still not. i’m an aries though: we don’t respond well to criticism.

look, i’m writing this to put space between the two articles. if you want to see it and that’s why you’re here then by all means scroll down. but i hope you’re of age and not someplace where looking at those photographs will get you terminated. that’s right… you have been warned. and if it does offend you then please go talk to a spiritual advisor. no more strange and viscerally peculiar letters of retribution. i’m saving them. i’m going to make posters of them for the exhibition.

p.s. i don’t know who took this glamor shot, but i would love to give somebody credit.

i want to smash everything…

my god, what a week it’s been. i finished writing my grant proposal for my massive secret art project friday. when i turned it in to the artists trust the very cool heather joy who runs the shop was there to greet me. unfortunately, i hadn’t eaten in a few days and hadn’t really slept in a week so i just smiled, said thank you, flashed ’em as winningly as possible and walked back out sans the application.

as i walked down the street i started crying. exhaustion. emotional and physical. i have never written a grant myself before. it’s sort of… stressful.
what i really wanted
was a drink.

so i called my friend angela who was kind enough to have kissed me thru last friday night’s depression. and we decided to meet at the six arms, home of the cutest bartender in the city. and the ruby ale that i love to drink whenever i go there.

on the way i saw a ‘buy obama!’ sign. wait. sorry. ‘VOTE obama!’ sign.
it was liberally flanked by a couple of ‘ron paul’s.’

i’m not sure why, but this just sort of disgusted me.
i hate the presidential campaigning/office in this country the way that some people deplore the commercialization of X-MAS or the psuedo-pathology that is valentine’s day.
hate it hate it hate it.
generally, i just spew in my head and pray that no one will ask me why i think it’s better to not vote. it can be so difficult to explain what a sham the whole thing is to people who honestly should know better.

one of the more common refrains i hear is, ‘but won’t it better if a democrat wins?’
like it was so cool the last time one of those guys was at the helm of our rudderless waterbucket.
remember how nicely the economy turned up? and people were happier? weren’t they?
unless they were poor and getting thrown off welfare or living in the balkans or wishing for some real sovereignty (nafta? the gatt?).
and i am refering to personal sovereignty, not nation status. come on, you have a philosophy degree; you can, therefore, follow what i am saying.

so i saw those 3 signs: Paul-Obama-Paul
and the first thing i wanted to do was to kick them out of the ground.
just stomp them into oblivion.
but the folks who had placed them were still there.
and they were looking at me funny because i probably looked so hostile.
and i had just stopped myself from attacking their less-than-handy-work.

oh, but i wanted to, though…

i got home the next day (don’t ask, but yes, mother i am still a virgin) and collapsed in front of my trusty laptop all thoughts of the presidency gone from me like monkey shit tossed between the protective bars of the cage of the supra-simian mind (uh. that’s us i’m referring to there). i collapsed i tell you, i co-lapsed. and stared into my laptop to check out digg and metafilter because i am stupid and they are my television.

and i found those wretched videos of hillary and obama.

what the hell was will.i.am on when he thought that his obama video would actually be anything other than pablum? i mean i know that his black eyed band of peas is sub-vile, but did he really have to try and go all wycleff-honest on us? you look stupid in the hat will; take it off. and that speech is not the next i have a dream, is it? shit. maybe it is. literacy levels have been dropping like infant mortality rates in the western hemisphere.

so i did something weird after i watched that obama video: i watched a hillary song and dance routine. i posted them both at the bottom of the whatever technical term applies to these entries. i can’t speak on the hillary piece. it is sublime in it’s ichor. i suppose that all of us who loathed ET for it’s stomach-turning depiction of a world that had only ever inspired feelings of rage and no impotence (practiced miscegenator, here) would notice that there was a form of subcutaneous information sharing happening here. no, no, i really, really can’t speak on that here. it’s just too stoopid, hillary.

on a lighter note i fell in love this past week…

obama will i am video


hillary i am not video

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Patterns In Recognition

incheon airport june 2007

picture, if you can, a large crowd.
all moving. all talking.
all commerce and combustion.

hands touch. mouths move.
colors everywhere all flying.

the policeman wears a gun. he has a purpose. you don’t know what it is in the moment, but you can feel it in its abstraction.

at night. outside the city.
when the lights are gone.
and we face the rim of the galaxy. or so it would seem.
in the sky. at night.
the great crack, the rift.
proof that we have a location, a place.

crowds speak. quietly sometimes.
but murmurs don’t last.
and if one voice rises, even a little bit, another will do the same.
eventually, the murmur will become a hubub and the hubub deafening.
then it will all fall away again.

tonight at the menares airport of marrakech i will be playing chess. american pop music will be playing over the loudspeakers. being american, every song will be known, every melody recognized. eventually a very strange song will emerge. it will be plaintive and also sad. its melody will be elusive. almost recognizable. tracing just out past me. its rhythms dare me to reveal them. it will be decided that this song, barely audible, is unknowable. its melody and rhythm unbreached. i will stop playing chess long enough to pay my respects to its signatures. in awe i will realize that i have been listening to a female newscaster speaking in arabic.

november 22, 2007 marrakech

now i know why i percuss…

on steve arntson.

my friend steve arntson has a new site up:
www.stevenarntson.info

he’s a musician and philosopher and perhaps something of an aetheticist living here in seattle. i rather enjoy his company and that of his wife, an equally talented and lovely lass who goes by the moniker of annemat.

steve has taken on the rather collossal task of defining what makes a proper instrument the proper instrument for you. he has constructed not just some simple compendium of forthright questions whose answering shews one the way towards the proper sonic appendage. he has constructed a system of enlightenment. and it is capable of not just pointing out the rigorous contemplation neccessary to choose the proper sound device, but it may actually be capable of helping a person to not choose an instrument at all.

if only such things were offered at an early age. or in an earlier age. perhaps we could have skipped a few of the world’s more noteworthy pop music failures. or ‘idols’ as the less droll among us would render them.

but enough about me… please go try steve’s system and see if it can make you reconsider that first guitar.

pol mulata

The Metaphorization of Writingprognosis

The End Of All You Know…

well, this is supposed to be my new space for discussing my work and art by others, but i just couldn’t get started in as timely a manner as i wanted. instead, i have been working on a lot of new projects and getting to the blog was just getting impossible.

then i stumbled across a video that i just had to share…

every cultural worker in these united states is aware that we have spanned the globe media-wise far more effectively than our deployments of our governmental concepts. hollywood is what everyone decries as america’s cultural span taints the world, but nobody lashes out at motown.

now i have traveled a lot in my adulthood (ahem) and what i am constantly coming across is the prevalence of kids from all over the world to engorge themselves on american RnB and hiphop. the fashion, the moves, the sound, the sound, the sound.

i used to work with all these cats from cameroon back when i was in school in oklahoma at a lebanese bakery. these guys would blast cameroonian pop all night/’til dawn, and it was cool. and it was the eighties. and it all sounded like afrikaa bambataa and newkleus.

and that shit hasn’t changed.

i was in japan and korea last year for an extended period (and i am ready to go back) and the kids there were all over black america. every store we passed was blasting rap and new millenial soul. all the kids love akon. they breakdance in the streets. and it’s as sexy there as it is here. or at least i want to touch it…

but here’s the video i want to share with you: ‘tell me’ by wonder girls from south korea. if you wanna know about them or their nkotb-style sevengali producer (overused, but apropos) look them up on wikipedia.org.

i find this to be about as deep as it gets. it moves straight to the heart of junk culture. i mean who really remembers the 70s this well? it’s not just the wonder woman show they got down it’s the whole feel of sid and marty kroft, too. just plain disturbing. but i love it. i honestly do.

i can’t tell you why. i don’t really feel it bears mentioning. it’s just aesthetic pleasure for me. i won’t tell you about my dreams, either. why bore anyone with that nonsense?

just enjoy.

hopefully, i’ll start writing about my nonsensical art life soon. i’ve got some pretty fun things planned for this year. i hope we all survive to see their fruition.

take care,
be good,
pol

UPDATE: so i was very mystified as to how well known wonderwoman, the tv show not the comic, was in korea. so i called my friends over there and was immeadiately told: “we love wonderwoman! everybody knows wonderwoman!” they in turn, having already seen my blog post were curious as to how i knew about wondergirls… they could hardly fathom that i would be aware of something so particular to the land of morning calm.

apparently, the wondergirls are about the biggest thing in the world over there. and they have a special dance, too. go on youtube.com and look for it. you’ll know you’ve found it when you start seeing all those videos of old ladies, cops, janiytors, tykes and school kids, rough tough thuggy school kids, with the title ‘woder girls’ on them. people love these ladies and they love their dance. kinda like how everybody had to learn the beat-it moves back when michael was still on top, but not yet the king of pop.

and even more xcitingly are the stories of lolita-branding. these girls really have it cut out for them. a number of different posts bring that American Prurience to the province’s predilection for young cute girl imagery. it’s strange, too. i always assume a degree of cultural relativity can stymie an analysis. as in, just because we lust after little girls in a particularly odious way does that mean that’s what’s going on over there?

i don’t know. i wouldn’t sleep with a 16 year old. but then where i live 16 year olds aren’t that cute. actually, in seattle, hardly anyone is that cute. just another reason to move, move, move. and maybe to korea. the pop music is just as bad, but the booze is cheaper, you can drink it where you want to, and the women are flash. links to some lolita agitation from the ex-patriot press over in old seoul:

http://www.dramabeans.com/2007/11/cultivating-the-lolita-complex/

http://metropolitician.blogs.com/scribblings_of_the_metrop/2007/11/the-wonder-girl.html