Dead Bird Movement : TRIOS

Dead Bird Movement : TRIOS

On July 27, 2011 I participated in a 24 hour dance event.

Local arts incubator Project: Space Available recently held a week-long fundraiser, Five Fingers Fundraiser. There were 5 different events each hosted by a different artist or arts collaborative.They invited Jessie Smith, creator/choreographer/sole intelligence of dance concept Dead Bird Movement, to take part.

Jessie’s idea was to ask 5 different dancers and five different musicians to meet with her over a 24 hour span. Each group of Jessie, a dancer, and a musician would spend an hour creating a piece and then they’d present it to a waiting audience. The first piece showed at 10am and the last at 1am.

She asked dance photographer Tim Summers and myself to document the event. I came on as writer. The opening link to this article will take you to the work that Tim and did.

A lot of my favorite performers came through the space that day; I won’t name anyone in the hopes it will lure you into checking the link to actually read my writing and check out Tim’s lovely photographs.
I love photography myself, but I was too busy writing to snap many shots. During the second collaboration between dancer Karn Junkinsmith and musician Maggie Brown I did manage to step away from the keyboard and snap a few. They’re more mood-based than Tim’s work so it’ll give you another view of the event.

(Story continues after the jump…)

 

And that’s something else I should mention: Jessie had a very novel form of interaction for the audience (novel for the dance world). Each piece would occur once for viewing. She then passed video cameras to random members of the audience. ‘Tape whatever you want,’ Smith told them, ‘I’m interested in your point of view.’ Then the dance would occur a second or even a third time.

The plan is that Smith will review all the footage and create a final collage from it. When this finally happens I’ll post a link to it. She’s very good on following up on her promises so I have no doubt that will happen.

Beyond the Pyramids, the Square

Cairo-based artist and musician Ahmed Basiony died on January 28 from asphyxiation while participating in the successful Egyptian popular uprising. 100radiostation.com has been playing his music continuously ever since.

His Vimeo channel has only two documents of his live sound, but it’s interesting stuff (via Dangerous Minds).

Disquiet.com offers a small view of his life’s work and posts a remarkable audio memorial.

image courtesy of AfricanColours.com
Ahmed Bassiouni, right

A few more photographs and his CV at AfricanColours.

His unfinished website.

[Originally posted at metafilter…]

Review: Losing Control in Soweto

Spoek Mathambo

Remember that name. Spoek is a musician and designer in South Africa.
His cover of Joy Division’s “She’s Lost Control” came into my world last night via the ever perverse homolandia (NSFW).

It’s a beautiful take on an old anthem; both are dismal yet somehow joy inducing. They both make use of minor chords to get their message across. Spoek changes the lyrics to “he’s lost control…” and I haven’t attempted to parse why.

On vimeo I found an interview with him and perhaps some clues lie there; I’ll leave that up to you to decide. The changes are atmospherically delightful. The sound of steel drums. The downward pitch-shifting of the vocals.

The video brings nods to initiation ceremonies. The chanter in his white suit. The white dust blown into the faces of the young petitioners. These children being ridden by loas, spirit horses.

Skygazer over at Metafilter has an interesting reading on it that dovetails nicely into my own. He sees the movements of the young bodies as tributes to the epilepsy of Ian Curtis, the author of the song and it’s first vocalist. Actually, the chances that the director was looking at making connections between the epileptic’s movements during a seizure and the actions of the ridden/possessed are probably close to 100%.

It’s been written that epilepsy was viewed as both the hand of the devil and the pose of the shaman. Both versions of the song function as trance music; if only Spoek’s cover were longer. If there’s anything I can summon quickly to resonate with the imagery of the video it’s the popular take on Voodoo in Louisiana’s New Orleans. Every image I can imagine of the male practitioners involves white suits and top hats. The voice being the central power of this religion, and perhaps of all human endeavor, it is only fitting that our protagonist carries a megaphone instead of a magic wand or a whiskey bottle.

a little more info from blackdownsoundboy; be sure to snatch the ok zharp mix at the end of the interview.

dirty bomb! the video!

my friend filastine has finally made a music video.

it’s pretty damn fabulous and feels just like our conversations on life and culture.

check it and then go grab his new record, ‘dirty bomb,’ at www.postworldindustries.com

for the record, i suggested multiple times that he call the new effort ‘dirty dirty bomb bomb,’ but that was all for (dread)naught…

Music: no confessions… a ring of fire

recently i went into the studio with my good friend anna huckabee. we recorded a cover of the cash family’s ring of fire. the song is by the lovely june and popularized by the cranky bastard johnny. and it really is the only song by the man i have ever had any affinity for. i suspect it’s the mariachi horn arrangements and the way that june’s stellar vocals come in at the end of the track. it’s enough to raise the hackles listening to that woman sing.

anna and i travelled through korea and japan last year as part of the p.a.n. dance theater company. the impressario of the group, dk pan, asked us to perform the song as part of the floor show. i was antagonistic at first, but after anna and i had rehearsed it a few times i began to fall madly in love with her strange r-n-b through a country filter vocals. not to mention that the little sprite just threw herself into it so much that i was basically dragged along. and, of course, ‘je ne regrette riene…’

here’s the track:

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 Ring of Fire.mp3

anna sings. i percuss. a really nice cat named chris recorded it and did the cleanup. and it was so much fun.

and yes, i did make a film. it debuted at the northwest film forum a month ago. it was exciting. while i will not be putting the film up on youtube or vimeo or whatever i am planning to write about the experience still at some point. i’ve rreceived a lot of favorable responses to the piece and so i want to shop it out to festivals. if you know of any film fests that would be interested in the work of a black film maker who focused on queer projections of performance and desire let me know. sundance?

anna singing in the studio
anna singing in the studio
me at the dead science video shoot for the new record with etosha and nick tambura in the background
me at the dead science video shoot for the new record with etosha and nick tambura in the background
osama bin laden whom we now know had nothing to do with 911 or sarah palin's stolen email
osama bin laden whom we now know had nothing to do with 911 or sarah palin