Africans, Asians Unite!

Asia in My Life
By Ngugi wa Thiong’o

image via The Gaurdian (UK)

“The links between Asia and Africa and South America have always been present but in our times they have been made invisible by the fact that Europe is still the central mediator of Afro-Asian-Latino discourse. We live under what Satya Mohanty in his interview in Frontline (April 2012), aptly calls the long intellectual shadow of the Age of European Empire.

In my case, I had always assumed that my intellectual and social formation was tied to England and Europe, with no meaningful connection to Asia and South America. There was a reason. I wrote in English. My literary heroes were English. Kenya being a British colony, I had learnt the geography and history of England as the central reference in my widening view of the world. Even our anti-colonial resistance assumed Europe as the point of contest; it was we, Africa, against them, Europe. I graduated from Makerere College in Uganda in 1964, with a degree in English; then went to the University of Leeds, England, for further studies, in English. Leeds was a meeting point of students from the Commonwealth: India, Pakistan, Australia, and the Caribbean. We saw each other through our experience of England. Our relationship to England, in admiration, resentment or both, was what established a shared space.

After I wrote my memoir of childhood, Dreams in a Time of War, published in 2006, I looked back and saw how much India had been an equally important thread in my life. I had not planned to bring out the Indian theme in my life: but there it was, staring at me right from the pages of my narrative. The thread starts from home, through school, college and after.”

via Chimurenga

Published by Pol Rosenthal

Pol Rosenthal has been working in Seattle's theater and music scenes for over 20 years. He used to publish a cultural arts journal then moved to Seattle to be in a rock band, TCHKUNG. This lead to him working with DK Pan's senses altering Butoh company, the P.A.N. In the late 90s he worked for sonic conspiracy company Muzak and while walking out the door helped found radical street art/action group the Infernal Noise Brigade. There he befriended and became a member of multi-disciplinary effort The Degenerate Art Ensemble. Eventually, he moved in next door to Seattle theater company Implied Violence (now St. Genet) and has enjoyed a multi-year, unhealthy relationship to their demanding work and philosophies. Last year he was in Curtis Taylor's 'The White Days' as an "actor". Presently he's wrapped up dancing in Paige Barnes' modern dance piece 'Lead Bunny' (Oct 2012) and is working on Dayna Hanson's rock musical 'Gloria's Cause'. In October he collaborated with Real Change editor Rosette Royale on a wonderful installation, 'JungleBox', for City Arts Fest.