“What Comes After The Hipster”

Zeynep Arsel, Assistant Professor of Marketing at John Molson School of Business, Concordia University:

I think seeing hipster as a narrative, rather than a distinct group of people, is a great way to understand how urban middle class identities are constructed and how postmodern class distinctions are established. The mythology of hipster is an extremely fragmented, occasionally contradictory, frequently derogatory narrative about a subculture that may or may not exist. But it doesn’t matter, because regardless, we are using this narrative to make sense (and express) our identities. By frequently othering hipsters as superficial trend-seekers that seem to do things “for the wrong reasons,” we are also authenticating our own acts that might actually mirror those of this group. Thus, a seemingly autoimmune reaction to our own consumption acts serves us to mark the boundaries of our more authentic identities from the other groups that we deem as more consumerist, superficial and inauthentic.

A really great collection of thoughts on Us vs Them… from,
http://flavorwire.com/269261/what-comes-after-the-hipster-we-ask-the-experts?all=1

 

Published by Pol Rosenthal

Pol Rosenthal has been working in Seattle's theater and music scenes for over 20 years. He used to publish a cultural arts journal then moved to Seattle to be in a rock band, TCHKUNG. This lead to him working with DK Pan's senses altering Butoh company, the P.A.N. In the late 90s he worked for sonic conspiracy company Muzak and while walking out the door helped found radical street art/action group the Infernal Noise Brigade. There he befriended and became a member of multi-disciplinary effort The Degenerate Art Ensemble. Eventually, he moved in next door to Seattle theater company Implied Violence (now St. Genet) and has enjoyed a multi-year, unhealthy relationship to their demanding work and philosophies. Last year he was in Curtis Taylor's 'The White Days' as an "actor". Presently he's wrapped up dancing in Paige Barnes' modern dance piece 'Lead Bunny' (Oct 2012) and is working on Dayna Hanson's rock musical 'Gloria's Cause'. In October he collaborated with Real Change editor Rosette Royale on a wonderful installation, 'JungleBox', for City Arts Fest.