Terrible Thieving Thieves, the update

it’s really hard to write any more about this. the theft has been traumatic. i actually started crying the other night. and i get panicked if i’m in the art space for too long, convinced that the thieves are back, running amuck, while i’m there. it’s absolutely horrible at times.

i’ve been talking to everyone about it. and all my friends, you, have been so very supportive. and i couldn’t ask for better friends. thank you.

the only advice i’ve been getting is to move on and how to do so. and i am taking that advice. i’ve made the move to do something i’ve been wanting to do for a long time and that is making my first film. i mentioned that before, i know, but i’ve actually set a date for shooting. july 27th. it’s the most exciting and frightening thing i’ve done in a long time. even more than chasing down that lovely woman in korea last year for a two month date to europe and africa. well, maybe not that scary…

last year i decided that i wanted to make the move to photography. and secretly i had decided i also wanted to get into film making. photography was no problem, but stepping into motion pictures? that was tough. no equipment. no training. no connections. how to start?

luckily it just fell into my lap. like so many other wonderful things and opportunities. dk pan just looked at me one day and said, “why don’t you make a movie? you can use my camera.” jesus, dk, are you ever going to stop accidentally upgrading my life? thank you!

so i’m working on it. and it’ll debut in august. i’ll let everyone know the details of the showing and you can all watch me whimper and freak out in public. and if you have any comments i will be open to them. scared, but open.

turn it on.

since i’ve been through so much in the last week i have barely been taking pictures. it’s just too depressing. my biggest decision has been whether to get a new laptop or buy a smart, new camera. at this time i’m thinking of a camera; the canon rebel series comes highly recommended. and now that i doing a worktrade with the photo center northwest it seems like a great idea.

maybe the transition into a new field of operation for me, from dancer/musician/performer, will actually occur. i hope so. i’d like to think that all this work in other fields will translate. that my work in the other genres will be beneficial to my new eye. and i have ideas. just wait. you’ll see. and hopefully i’ll continue to keep you amused so you’ll keep inviting me to dinner and drinks. thanks for the dinner and drinks!

some old shots to keep you entertained. enjoy:

a crumbling building in cheunchon, south korea

a crumbling building in cheunchon, south korea
working on an old dance theater piece with anna b as the mummy
working on an old dance theater piece with anna b as the mummy
a mobile sound device in japan
a mobile sound device in japan

Published by Pol Rosenthal

Pol Rosenthal has been working in Seattle's theater and music scenes for over 20 years. He used to publish a cultural arts journal then moved to Seattle to be in a rock band, TCHKUNG. This lead to him working with DK Pan's senses altering Butoh company, the P.A.N. In the late 90s he worked for sonic conspiracy company Muzak and while walking out the door helped found radical street art/action group the Infernal Noise Brigade. There he befriended and became a member of multi-disciplinary effort The Degenerate Art Ensemble. Eventually, he moved in next door to Seattle theater company Implied Violence (now St. Genet) and has enjoyed a multi-year, unhealthy relationship to their demanding work and philosophies. Last year he was in Curtis Taylor's 'The White Days' as an "actor". Presently he's wrapped up dancing in Paige Barnes' modern dance piece 'Lead Bunny' (Oct 2012) and is working on Dayna Hanson's rock musical 'Gloria's Cause'. In October he collaborated with Real Change editor Rosette Royale on a wonderful installation, 'JungleBox', for City Arts Fest.