now i know why i percuss…

on steve arntson.

my friend steve arntson has a new site up:
www.stevenarntson.info

he’s a musician and philosopher and perhaps something of an aetheticist living here in seattle. i rather enjoy his company and that of his wife, an equally talented and lovely lass who goes by the moniker of annemat.

steve has taken on the rather collossal task of defining what makes a proper instrument the proper instrument for you. he has constructed not just some simple compendium of forthright questions whose answering shews one the way towards the proper sonic appendage. he has constructed a system of enlightenment. and it is capable of not just pointing out the rigorous contemplation neccessary to choose the proper sound device, but it may actually be capable of helping a person to not choose an instrument at all.

if only such things were offered at an early age. or in an earlier age. perhaps we could have skipped a few of the world’s more noteworthy pop music failures. or ‘idols’ as the less droll among us would render them.

but enough about me… please go try steve’s system and see if it can make you reconsider that first guitar.

pol mulata

The Metaphorization of Writingprognosis

Published by Pol Rosenthal

Pol Rosenthal has been working in Seattle's theater and music scenes for over 20 years. He used to publish a cultural arts journal then moved to Seattle to be in a rock band, TCHKUNG. This lead to him working with DK Pan's senses altering Butoh company, the P.A.N. In the late 90s he worked for sonic conspiracy company Muzak and while walking out the door helped found radical street art/action group the Infernal Noise Brigade. There he befriended and became a member of multi-disciplinary effort The Degenerate Art Ensemble. Eventually, he moved in next door to Seattle theater company Implied Violence (now St. Genet) and has enjoyed a multi-year, unhealthy relationship to their demanding work and philosophies. Last year he was in Curtis Taylor's 'The White Days' as an "actor". Presently he's wrapped up dancing in Paige Barnes' modern dance piece 'Lead Bunny' (Oct 2012) and is working on Dayna Hanson's rock musical 'Gloria's Cause'. In October he collaborated with Real Change editor Rosette Royale on a wonderful installation, 'JungleBox', for City Arts Fest.